royo follows "femme" to washington, d.c., to supervise the installation on the south wall of the east building's central court. there are now many new problems to overcome. the tolerances are extremely close, demanding precise measurement, careful planning and a team effort. the huge roll barely fits into this confined space. the workers must unroll it evenly and accurately. bolts have been embedded deep into the structural wall, behind the marble facing, to support this massive piece when it slides into place. ( muffled comments ) carefully, royo grooms "femme," as the crew gradually hoistser upwd over the last few yards of a long journey. ( music ) this is the realization of many dreams, uly a work of collaboration; the fulfillment of a vision shared by the architect and the national gallery, supported by generous patrs, brought to fruition by joan miro and josep royo. on this day, those drms and efforts are reaching a successful conusion. "femme" is at home. brown: "it's everything we hoped." today, suspended 42 feet above the museum floor, "femme" is fulfilling her intended role.